Danny Gargan - now double handed in the 2024 Kentucky Derby

Article by Bill Heller

Hall of Fame trainer Nick Zito didn’t have a horse in either the Grade 1 Ashland Stakes at Keeneland April 5th nor the Grade 1 Blue Grass Stakes the following day. But he hoped for a personal daily double of those races with two of his protégés, Jorge Abreu and Danny Gargan, saddling a top contender in each race - Abreu with Jody’s Pride in the Ashland and Danny Gargan with Dornoch in the Blue Grass. 

Zito didn’t get what he wanted. Jody’s Pride ran out of gas in the Ashland and is getting a freshening before resuming her three-year-old campaign later this summer. Dornoch finished fourth in the Blue Grass and is now all systems go for a run in the Kentucky Derby.

Come the first Saturday in May, Danny Gargan will remember his first Kentucky Derby runner, Tax, who he claimed for $50,000 in his second career start in a maiden claimer at Keeneland on October 21st , 2018. Tax took Gargan to the 2019 Kentucky Derby, when he finished 15th, beaten 15 lengths at odds of 35-1.

Tax went on to win the Grade 2 Jim Dandy Stakes at Saratoga and the Grade 3 Harlan's Holiday Stakes at Gulfstream Park and in the process became Gargan’s highest-earning horse with $1,102,160. “He’s my favorite,” Gargan said.

Gargan did his homework to nab Tax, a son of Arch out of the Giant’s Causeway mare Toll. “I watched his video in his first race,” Gargan said. “He’s a really well-bred horse. He looked beautiful in the video. He sprinted that day. I was in New York, looking around for horses. He popped up in the entry box at Keeneland. I flew from New York to Kentucky to claim him.”

When he did, he called two of his owners, Randy Hill of R.A. Hill Stable and Dean Reeves of Reeves Thoroughbreds. “He called me up and asked me if I wanted in on Tax,” Hill said. “I said yes. Obviously, that worked out well. Danny’s one of my favorite guys, Danny’s a very good trainer. He’s finally gotten a chance to work with some good horses. He’s a terrific guy, he deserves this.”

Reeves said, “We had a lot of fun with that horse. It was a great run. Winning at Saratoga especially a big race up there.”

Gargan loved Tax: “He was a wonderful horse to be around, big and beautiful, just a kind soul in the barn. You loved seeing him there every day. He had a long career. He stepped into a grate and got his ankle caught. He missed more than a year.”

Tax came back off a 16 ½ month layoff to win a $100,000 stakes at Delaware on July 9th 2022, an outstanding feat by Gargan. “He was a pretty cool horse,” Gargan said.

Gargan has now trained three sons of Good Magic and all are now stakes horses. First up was Dubyuhnell who in 2022 Gargan thought might take him back to the 2023 Kentucky Derby after he captured the Grade 2 Remsen Stakes in his final start as a two-year-old. Instead, he finished 8th in the Grade 3 Sam F. Davis and 11th in the Grade 1 Florida Derby.

Now in 2024, Gargan has two sons of Good Magic in the Kentucky Derby. Dornoch, who finished fourth in the Grade 1 Blue Grass and Society Man, who finished second in the Grade 2 Wood Memorial at odds of 106-1.

Dornoch looks as talented as his full brother, Mage, who won the 2023 Run for the Roses. “They look opposite,” Gargan said.

“My horse is a real big bay. Mage is a medium chestnut. They don’t look the same, but they both have big hearts. You can’t breed that.”

Dornoch, was bred by Grandview Equine and sold for $325,000, $90,000 more than his full brother Mage, at the 2022 Keeneland September Yearling Sale. 

Last November Mage and Dornoch’s dam, Puca, went through the ring at Keeneland and was sold privately for $2.9m. This year, on April 4th, Puca produced her third colt by Good Magic who like his esteemed brothers all share an April birth date.

Dornoch’s name is intriguing, referring to the Royal Dornoch Golf Club in the Scottish Highlands where golf has been played for more than four centuries.

Born one year and four days after Mage was foaled, Dornoch spent his early days at historic Runnymede Farm in Paris, Kentucky.

For his early education, Dornoch was sent to Raul Reyes at King Equine in Ocala, Florida. Reyes detected that Dornoch wasn’t moving comfortably in his behind and discovered that one of Dornoch’s testicles hadn’t descended. The testacle was removed, and Dornoch showed vast improvement immediately.

Reyes called it a 360-degree turnaround in a story in Blood-Horse. Gargan thinks Dornoch will offer him a different experience if he makes it into the Derby starting gate. 

“Tax got us there. We were lucky enough to do the walk-over. This is different. This horse can win it. I’m happy to be a part of it. He reminds me of Louis Quatorze (the 1996 Preakness Stakes winner trained by Gargan’s former boss, Hall of Fame trainer Nick Zito). I’m hoping Dornoch can win a Triple Crown race. I’m preparing him the same way Nick did with Louis. Just keep moving forward. In horse racing, you have to hope you have a great day. In the past, we were just happy to be there. Now we have a horse that could win it.”

Zito, has been a fan of his protégé for a long time: “Danny was probably the best one I ever got along with. He read my mind. The guy actually read my mind, which I loved. He wants to win so bad. He communicates with horses so well. He said Dornoch resembles Louis. It shows his remembrance of great horses. That’s what I admire about Danny Gargan. Danny’s not taking a back seat to anybody at the Derby. He’ll have his horse ready to run.”

If Dornoch or Society Man win the Kentucky Derby, it will come 51 years after Gargan’s father, also named Danny, rode Bag of Tunes to win the 1973 Kentucky Oaks.

Unfortunately, Gargan, a native of Louisville, was just four when his father died. “I was so young, I don’t remember that,” Gargan said. “I grew up on the backside of Churchill Downs. I loved it from the start. It’s just something in your DNA.”

Asked how he got onto the Churchill Downs backstretch, Gargan said, “It was 30 years ago. Back then, they let everybody in.”

He worked for Nick Zito off-and-on for several years, eventually becoming his assistant. “Me and Nick are real good friends to this day,” Gargan said.

Gargan, though, came to a conclusion: “It takes a lot of money to be a horse trainer.”

So he switched careers, becoming a jockey agent. “I did it for a few years,” he said. His clients included Pat Valenzuela, Brian Hernandez Jr. and Jesús Castañón.

He called his jockey agent days “a lot of fun,” but he eventually became bored with it. He hooked up with owner Merrill Scherer on a few horses and, after two real good meets at Saratoga in 2011 and 2012, Gargan, decided to begin training on his own. He credits P.J. Campo, the racing secretary and then vice- president for racing of the New York Racing Association, for pushing him in that direction.

Gargan began a modest-sized stable in 2013, broke the $1 million mark in earnings in 2015 and has had at least $1.8 million in earnings every year since. “I race at Gulfstream Park and New York,” he said. “I don’t train a ton of horses, eight in New York and 22 in Florida. When you get so few young horses, it’s a blessing to have one,” he said. “It’s not every year. I’ve been lucky to have some nice horses in the past, and you have to be just thankful.”

Tax was not his only great claim.

On May 15th , 2017, Gargan claimed Divine Miss Grey for $16,000 for R.A. Hill and Corms Racing Stable off a three-quarter length victory as the 1-2 favorite.

Divine Miss Grey turned into a star for her new connections, finishing second in the 2018 Grade 1 Beldame at Belmont Park and capturing the Grade 2 Chilukki Stakes at Churchill Downs. She finished her career 12-for-26 with six seconds, one third and earnings of $934,172. “You get lucky sometimes,” Gargan said. “The good thing about what she did for me, was she brought me Dean Reeves and Randy Hill. They are the ones who probably brought me to train Dornoch. They wanted me to train younger horses. Without those two supporting me, I might have never made it to this point.”

Hill is one of many partners on Dornoch. Reeves is not.

When asked about his success, Gargan said, “I’m pretty lucky in that I trained for some good people, like Dean Reeves and Randy Hill. They want the horse put first. Always put the horse first. I’m blessed for having them. I don’t have to work the horse or race the horse. When you have owners that understand that stopping and doing the right thing for the horse is the most important thing, that’s great. That’s what’s changed for me the last four, five years is to be able to always put the horse first.”

He knows what he’s up against: “This game can be tough. You try to keep them happy, keep them healthy and keep them racing. It’s something we’ve always believed. With the young horse, it’s a tremendous factor. You watch other trainers and learn. Nick was a big fan of giving a horse his first race. Bill Mott does that, too. They don’t have to win first time out. They’re going to get better with racing. That’s our philosophy. Who knows if I’m right or wrong. That’s what we believe.”

Dornoch lost his maiden debut at Saratoga, too, finishing second. He finished second again, in the Sapling Stakes at Monmouth, before breaking his maiden at Keeneland and, just like Dubyuhnell, took the Remsen by a nose, defeating a potential Kentucky Derby rival, Sierra Leone. 

Racing on the lead on the rail, Dornoch set a pressured pace, opened a two-length lead in the stretch and then was confronted and passed by a fast-flying Sierra Leone. But Dornoch wasn’t done. He gamely fought back and re-took the lead just before the finish line. Like Gargan said, you can’t breed heart.

Winning his three-year-old debut in the Fountain of Youth pushed Dornoch to the front of many Derby contender lists. He was fourth to Sierra Leone in the Grade 1 Blue Grass, but he didn’t get his preferred trip pressing or making the pace. 

“We wanted to train him to sit behind horses,” Gargan said. “Sometimes, they have to experience things to get educated before they can improve. That was the first time he had dirt in his face and he fought it the first three-quarters of a mile.”

Dornoch is owned by West Paces Racing, Belmar Racing and Breeding, Two Eight Racing, Pine Racing Stables and R.A. Hill Stable. Gargan offered a piece to Reeves Thoroughbreds, but Reeves declined. “He asked me to buy into the horse,” Reeves said. “At the time, it just didn’t work. I passed. Too bad. I’m happy for those guys. I’m pulling for those guys. I hope he can get it done. He’s a great horse.”

Larry Connolly, who began West Paces Racing, mostly with his golf buddies in Atlanta in 2019, grew up in Rye, New York, and frequented Saratoga and Belmont Park. In 2012, Connolly sold his company, Connolly LLC, the largest global-recovery auditing firm, freeing up capital to buy Thoroughbreds. “It was a good time to jump in the deep part of the pool,” he said.

The final push into ownership came after five years of visiting Cheltenham races in England with his friend Lawrence Kenny, a retired steeplechase jockey. “After five years at Cheltenham, the racing was so good and the people were so nice,” Connolly said.

“We used to go to the pubs and see a lot of horsemen. I said, `Wouldn’t it be great if we could pool our resources together and get into a big race?’”

Connolly got involved with two partnerships, Donegal in 2014 and then Starlight. Connolly was able to enjoy the winner’s circle after Donegal’s Keen Ice upset Triple Crown Champion in the 2015 Travers Stakes at Saratoga.

Connolly said Royal Dornoch is his favorite golf course in Scotland. One of his partners on the horse is retired baseball star Jayson Wirth, an outfielder who played 15 seasons with the Blue Jays, Dodgers, Phillies, and Nationals.

Asked about Dornoch’s Derby pursuit, Connolly said, “It’s just super exciting. Every day is like Christmas Eve. What gets me excited about Dornoch is, he looks the part: size, grit, determination.”

West Paces Racing, Gargan and GMP Stables LLC are the owners of Society Man, who was stepping up to graded stakes company in the Wood off an impressive maiden victory. Three starts back, Society Man was eighth in the Grade 3 Withers. “He had a rough trip in the Withers,” Gargan said. “We’ve always liked him. He’s a nice horse.”

Gargan said Dornoch is bigger than Society Man, another son of Good Magic out of You Cheated by Colonel John. ‘They breeze together a lot,” Gargan said. “He worked with Dornoch for the Remsen.”

Asked about Society Man’s jump up in class in the Wood, Gargan said, “Sometimes you roll the dice and it works out. He’s improving at the right time and he can get the distance.”

Dornoch’s work tab was modest as he prepared for the Blue Grass Stakes on April 6th. “We just wanted to keep him healthy and sound,” Gargan said. “He’s a big colt. He can be playful. A little rambunctious. He’s not mean. He’s a big strong horse, just under 17 hands. He’s just under it.”

After his Fountain of Youth victory, Gargan told a TV interviewer that he guessed he had Dornoch at 85 percent for his three-year-old debut. The obvious goal is 100 percent on the first Saturday of May. “I don’t think we’ve seen the best from him,” Gargan said. “He’s going to be fun for a long time.”

Thomas Drury Jr. looking forward to the 2020 Preakness Stakes

Cover Profile - Thomas Drury Jr.By Bill HellerNudged into the Kentucky Derby spotlight by Art Collector’s commanding 3 ½-length victory in the Gr2 Blue Grass Stakes July 11 at Keeneland, Tommy Drury is an overnight sensation—30 years after he began training Thoroughbreds. Art Collector gave Drury his first graded stakes victory in the Blue Grass Stakes, earning enough points to start in the Kentucky Derby for owner/breeder Bruce Lunsford.“When you’re 28, you’re thinking about winning the Derby and Breeders’ Cup races,” said Drury, who took over Art Collector’s training at the beginning of his three-year-old season. “At 48, I didn’t even know I’d win a graded stakes. To win the Blue Grass is pretty special. I’m still trying to find the words.”This success immediately went to his head. He celebrated his greatest victory with a cold beer and a frozen pizza when he finally got home after the Blue Grass. “I didn’t finish either,” he confessed.Why? To be back at the barn at 5:30 a.m. the next day, a Sunday. His work ethic is just one of the elements of his highly successful, yet quiet, career. His career winning percentage is an outstanding 21 percent. He won at least 20 percent of his starts in 11 of his last 14 seasons heading into this year, including seven years when his victory clip was 25 percent or higher.No wonder top horsemen, including Al Stall, Bill Mott, Steve Asmussen, Frankie Brothers and Seth Hancock, have sent many of their horses needing a layup after surgery or time off to Drury’s barn at the Skylight Training Center, 27 miles northeast of Churchill Downs.“As far as top horsemen, he’s been a top one for years, but he just hasn’t had the opportunity to win at the highest level,” Stall said. “I send him rehab cases. We’ve had a good working relationship for more than 10 years. I might have sent him, oh gosh, over 20 a year—a couple hundred for sure. Ninety-nine percent of the time, he’s spot on about their fitness level.”Brothers said of his time knowing Drury, “It started with Tommy galloping some horses for me at Churchill Downs. He’s a smart, conscientious young man—an excellent horseman.”So how did Drury amass just 55 victories in his first six years of training after getting his license at the age of 18? He had to gallop horses on the side to pay his bills. “It didn’t come easy, and it didn’t come quickly,” he said. “There were days I said, `This isn’t going the way it should be going.’ But I always had at least one horse I was training.”There was another reason he persevered. “I didn’t know how to do anything else,” Drury said.His biggest fan, his mother Patty, said, “He started with one horse, and to have a horse like this [Art Collector] is unbelievable. I’m so happy and proud of him because he worked so hard to get to this point.”Drury’s father, Jerry, who galloped horses, passed away two years ago. “We were close,” Drury said. “I never had the privilege to work with him a lot because he had a lot of horses. He pushed me: if you work, you have to do it at the top level. He always pushed me to do that.”Drury began hot-walking on weekends as a kid. “I can remember walking horses when I was 10 or 11,” he said. “It’s all I wanted to do. On weekends, I’d go to the track. It’s just been in my blood. I could never see myself doing anything else.”He wanted to be a jockey but grew too big to do that. So he focused on training. “I had a friend, a little older, who got his license at 19,” Drury said. “Once I saw he was able to do it, I felt comfortable in my horsemanship.” He passed the trainer test and applied for a license at the age of 18.Racing steward Bernie Hettel didn’t believe he was 18. “I looked like I was 12,” Drury said. “I think I weighed 110 pounds. I showed him my driver’s license.”In his first six years, his win totals were five, seven, nine, eighteen, eight and eight. “I was working a second job, always galloping to help pay the bills,” he said. “Eventually, it started going the way I wanted. So I stopped galloping a few years ago. When I was riding, I worried about too many details. I think better when my feet are on the ground rather than in the air.”One of his most successful horses was Timeless Fashion, who won 11 of 34 starts, including six stakes, and earned more than $400,000. Unfortunately, Timeless Fashion’s first jockey, Justin Vitek, wound up with leukemia.Vitek rode Timeless Fashion in his first two starts, finishing second by a neck in a maiden race at Turfway Park, December 7, 2007, then winning an allowance race there February 2, 2008, by 4 ¼ lengths.“Justin had told me that whole day he was feeling bad,” Drury said. “He went to the hospital that night and was later diagnosed with leukemia. It went into remission and he worked for me and rode in races. Unfortunately, his leukemia came back, and he passed away. Justin was one of my closest friends. I flew to Texas and was with him the night before he passed. It was terrible.”Vitek, a native of Wallace, Texas, died on January 28, 2010 at the age of 36. Vitek’s biggest victory came on Miss Pickums, who captured the 2000 Gr2 Golden Rod Stakes at Churchill Downs. He had won 763 races with earnings topping $9.8 million.Six weeks after Vitek died, Turfway Park held a night to celebrate Vitek’s life, with his mother to present the trophy to the winner of the Tejano Run Stakes. Drury, who entered Timeless Fashion in the stakes, wore one of Vitek’s University of Texas caps which Vitek’s sister had sent to him. “Justin was a big Texan football fan,” Drury explained. Drury wore the cap that night and never again.Timeless Fashion hadn’t raced since the previous December 12th when he took the first of two consecutive runnings of the Prairie Bayou Stakes. Timeless Fashion won the Tejano Run Stakes by a half-length. “Justin’s mom presented the trophy to Judy Miller, the winning owner, and she gave it back to her,” Drury said. “Right before we went upstairs, we sprinkled some of Justin’s ashes in the winner’s circle. There wasn’t a dry eye in the house. It was insane. It was brutal, but we were fortunate to have had him in our lives. It was so special to win that race with his family there.”Drury resumed his career, which may have already been redirected by his Blue Grass victory. “This is going to change Tommy’s life,” Lunsford said. If it does, he’ll share it with 15-year-old daughter Emma, who rides show horses, and his 19-year-old son Matt, who’s in the restaurant business. They live just outside Louisville.Art Collector, a home-bred colt by Bernardini out of Distorted Legacy by Distorted Humor, has special meaning for Lunsford—an attorney, businessman and politician who ran unsuccessfully for the U.S. Senate as a Democrat in 2008, losing to incumbent Mitch McConnell.Lunsford’s Bunting was the dam of his Vision and Verse, who finished second to Lemon Drop Kid in both the 1999 Gr1 Belmont Stakes and Gr1 Travers. Vision and Verse won four of 21 starts and earned a tad more than $1 million. “Bunting was one of the first two horses we bought,” he said. “She had several useful horses, including Distorted Legacy, who finished fourth in the 2011 Gr1 Breeders’ Cup Filly and Mare Turf. “We kept her as a broodmare. Her first foal was a filly that didn’t race. Art Collector is her second foal.”Lunsford routinely sends 10 of his yearlings to be broken and trained at Travis and Ashley Durr’s Webb Carroll Training Center in St. Matthews,S.C. Durr does the breaking and training, and Ashley is the Center’s business manager.Travis’ family raced and trained Quarter Horses, and Travis rode them at bush tracks in Georgia, S.C. and N.C., starting at the age of 12. When both his grandfather and father began working with Thoroughbreds, Travis started breaking and training them. Travis was 15 when his father passed in 1995, and he took over the business. Travis joined Webb Carroll in 2007, and in 2016, he and his wife purchased the Center.“We are known for our large sets—15 to 17 horses in the winter,” Travis said. “All we do is breaking, training and layups. We don’t have to have things being done by a specific time. We have a lot of turnouts. We individualize the horse’s training. We just try to produce racehorses.”Art Collector is just the latest top horse the Training Center has developed, following Havre De Grace, Country House, Abel Tasman, Firenze Fire, Goldencents, Runhappy, Irish War Cry and Shackleford.Art Collector arrived at the Training Center in July 2018. “He showed ability from day one,” Travis said. “He stood out. He handled the breaking very well, always did his job—an easy horse to be around. He started breezing in February. He was breezing a lot easier than others. As we went on with the horse, he kept progressing the right way. He was the best of Bruce’s bunch. He sends us around 10 yearlings a year.”On May 9, Art Collector was sent home and then to trainer Joe Sharp to begin his career at Saratoga in July. Art Collector’s first three starts were on turf. He finished second in a maiden race at Saratoga August 15, first in a maiden at Kentucky Downs and then seventh in the Gr3 Bourbon Stakes at Keeneland.Switched to dirt on November 30, he lost his action in a 6 ½ furlong allowance race under Brian Hernandez Jr., who has ridden Art Collector ever since. Hernandez was about to pull Art Collector up, but Art Collector wasn’t done, getting back in the race and finishing sixth by 8 ½ lengths in the first of four consecutive races at Churchill Downs.Art Collector’s final start as a two-year-old last November 30 was a breakthrough 7 ½-length victory on a sloppy track.That victory would be taken away months later. On March 3, word broke that Art Collector was one of several sharp horses who tested positive for levamisole, listed as a Class 2 drug by the Association of Racing Commissioners International largely for its potential to metabolize into the powerful stimulant aminorex. Art Collector was disqualified.Lunsford needed a new trainer. “I didn’t want to be in the middle of that,” he said. “I took him off the track. Gave him three months. I said, `Forget the Derby. We’ll shoot for something later, like the Travers.’”Then the world began changing as the coronavirus pandemic swept around the entire globe. Suddenly, the Kentucky Derby was not on the first Saturday of May, rather postponed until the first Saturday in September, the 5th. “The delay was the best thing that could have happened for us,” Lunsford said. “I gave him to Tommy. I told him, `If you get this horse back and he wins first out, you have the horse for life.’”Why Drury? “Because I trust him,” Lunsford said. “I’ve watched him for years. I’ve given him horses that we rested and given them one start back in Tommy’s name. Watching him grow up, I think of Tommy like a nephew or an adopted son. We’ve had a lot of success. He’s a humble guy. He has no ego. Works his butt off. He treats people nicely; his barn help stays with him. He treats horses nicely. If it’s really about the horse, you just don’t say it—you do it. I knew with Tommy and Jose (Garcia, Tommy’s long-time assistant), that Art Collector would be treated better than I get treated in my life, with the exception of my girlfriend. If we win the Derby, I don’t know if I’ll be happier for Tommy or for the horse.”With Art Collector at Skylight Training Center, Lunsford stops on the way to check up on his star. Trainer Ian Wilkes is on the other side of the Drury barn. “There are 21 guys there, and I pick up biscuits for the guys on the way there,” Lunsford said. “They rub their stomachs when they see me coming.”Drury didn’t take long to like what he saw coming with Art Collector. “I knew Bruce really liked the horse,” he said. “When someone like him says something like that, you pay attention. He’s been there before.”Drury quickly realized why Lunsford liked Art Collector. “I have never had a horse like this,” Drury said. “He’s a very good-looking, well-balanced horse. What I like most is his intelligence. He’s a very smart horse. You work him with others, and he’s fine. You can move him with your fingertips.”Drury began slowly with his new colt. “We eased him back into it,” he said. “We started breezing him. I got Brian Hernandez to work with him. He had ridden him as a two-year-old. He shared his thoughts. It helped. We worked as a team.”Garcia has been an important member of the Drury’s team for 22 years. “We started together with a small stable with just a few horses,” Garcia said. “I like him and he likes me. We have good communications. You have to see to the details. The small details are very important.”Art Collector made his first start for Drury in a seven-length allowance race on May 17, 15 days after the original date for the Kentucky Derby. He won by 2 ¾ lengths, covering seven furlongs in 1:22 3/5.“He won so impressively,” Lunsford said. “Seth Hancock texted me. He said, `I hope you’re going to leave your horse with him.’ I said, `That decision’s already been made.’”That decision looked even better when Art Collector won another allowance race—this one at a mile-and-a-sixteenth, by 6 ½ lengths as the 7-5 favorite in a sharp 1:41 1/5, earning a 100 Beyer Speed Figure on June 13.Art Collector was ready to step up. He would make or break his case for the Kentucky Derby. He had no Derby qualifying points, and the 100 for the winner of the Blue Grass would either propel Art Collector onto the Derby or force Drury and Lunsford to choose an easier path.The horse to beat in the Blue Grass and the slight betting favorite at 2-1 was Kenny McPeek’s outstanding filly Swiss Skydiver. Art Collector was the 2-1 second choice in the field of 13. “We wanted to put pressure on Kenny’s filly,” Drury said. “The only thing I told Brian was not to be locked in with one trip. It actually went the way we thought it would go.”Hernandez delivered a flawless ride. He made a good decision early to avoid a three-horse duel on the front end, and Art Collector settled in nicely as a close third. Around the far turn, Swiss Skydiver took over, and Art Collector quickly ranged up to her.At the head of the stretch, Swiss Skydiver found more. “There was a split second near the eighth pole, she dug in, and I thought he wasn’t going to win,” Drury said. “After that point, it becomes a blur. `Oh, my God, we’re going to win the Blue Grass!’ It’s hard to describe it in words. You wait for the opportunity, and when it happens, it’s huge. You’ve waited so long to be there.”After the race, Drury cooled out Art Collector. “We gave him a good soaking bath, took him out to the grass, let him graze, put the bandages on him, and got ready to go back home,” Drury said. When he got home, he splurged with cold beer and even colder pizza.Drury knows that Churchill Downs’ decision to push back the Kentucky Derby four months allowed his late-developing three-year-old to walk into the starting gate. “We’re certainly aware of it,” Drury said. “It’s been a strange year. It’s almost like it was meant for us.”Before the Blue Grass, Drury instructed his mother not to use the “D” word. Two days after the race, she texted him, asking, “Are you definite for the Kentucky Derby?” Drury texted back, “Eight weeks to the Derby—that’s a lifetime.” He explained, “Eight weeks is a long way away when you’re talking about horses. I hope we get there. It’s a big deal, but we’re not doing anything to jeopardize this horse.”Drury and Lunsford must decide whether or not to give Art Collector a race before the Derby. “It’s really a good problem to have,” Drury said. “I think it’s a fantastic problem to have.”Initially, he ruled out the Gr1 Travers at Saratoga, August 8. “People ask, `Travers?’ No way. I’m not shipping to New York to run against Tiz the Law,” Drury said. If Art Collector gets a Derby prep, it will likely come in the Ellis Park Derby August 9.Lunsford was asked what a Kentucky Derby win would mean to him. “I go all the way back to Secretariat,” he said. “I said, `One of these days, I want to own one of these horses.’ If I won the Kentucky Derby with 40 friends rooting for us because we’re from Louisville, it’d be like the World Series for this poor kid from Piner, Kentucky.”For Drury, it would be an affirmation of three decades of hard work. Asked what it’s like to be an overnight success after 30 years, Drury said, “It’s funny. For me, I’ve never received this amount of attention. I’m usually the guy behind the scenes. That being said, I’ve been close enough to good horses, and that’s helped me a lot. At the end of the day, we have to focus on the horse. You take the rest of it in stride. It’s not about me. It’s about him.”Actually, it’s about both of them—teammates in the pursuit of Kentucky Derby immortality in the strangest year the world has ever seen.     

By Bill Heller

Nudged into the Kentucky Derby spotlight by Art Collector’s commanding 3 ½-length victory in the Gr2 Blue Grass Stakes July 11 at Keeneland, Tommy Drury is an overnight sensation—30 years after he began training Thoroughbreds. Art Collector gave Drury his first graded stakes victory in the Blue Grass Stakes, earning enough points to start in the Kentucky Derby for owner/breeder Bruce Lunsford. 

On September 1 Churchill Downs reported that Art Collector, the son of Bernardini, nicked the bulb of his left front heel with a hind hoof while galloping Monday. Because of horse racing strict medication rules, the horse could not be treated with an anti-inflammatory this close to the race. 

“He grabbed himself yesterday morning training,” trainer Tommy Drury said. “It was still very sensitive this morning. When I took my thumbs to palpate the bulbs of his heels, you could still tell it was pinching him. I had to make a choice. Your horse has to always come first. To run in a race of this caliber and trying to compete against the best 3-year-olds in this country, you’ve got to be 110 percent.”

Art Collector was widely considered the biggest threat to Belmont (GI) and Travers Stakes (GI) winner Tiz the Law heading into Saturday’s 1 ¼-miles classic, coming into the race off a 3 ¼-length victory in the Ellis Park Derby on Aug. 9.

“We didn’t want to take any chances with a horse potentially this good,” Lunsford said. “The Derby means an awful lot to me so it’s been kind of a tough day and night. But the horse is always the most important thing in all these things. We’ll get another chance to have another day. We’ll try and make it to the Preakness and maybe from there, the Breeders’ Cup.”

“When you’re 28, you’re thinking about winning the Derby and Breeders’ Cup races,” said Drury, who took over Art Collector’s training at the beginning of his three-year-old season. “At 48, I didn’t even know I’d win a graded stakes. To win the Blue Grass is pretty special. I’m still trying to find the words.”

This success immediately went to his head. He celebrated his greatest victory with a cold beer and a frozen pizza when he finally got home after the Blue Grass. “I didn’t finish either,” he confessed.

Why? To be back at the barn at 5:30 a.m. the next day, a Sunday. His work ethic is just one of the elements of his highly successful, yet quiet, career. His career winning percentage is an outstanding 21 percent. He won at least 20 percent of his starts in 11 of his last 14 seasons heading into this year, including seven years when his victory clip was 25 percent or higher.

No wonder top horsemen, including Al Stall, Bill Mott, Steve Asmussen, Frankie Brothers and Seth Hancock, have sent many of their horses needing a layup after surgery or time off to Drury’s barn at the Skylight Training Center, 27 miles northeast of Churchill Downs.

Tom Drury's horses on track for morning exercise at Skylight Training Center

Tom Drury's horses on track for morning exercise at Skylight Training Center

“As far as top horsemen, he’s been a top one for years, but he just hasn’t had the opportunity to win at the highest level,” Stall said. “I send him rehab cases. We’ve had a good working relationship for more than 10 years. I might have sent him, oh gosh, over 20 a year—a couple hundred for sure. Ninety-nine percent of the time, he’s spot on about their fitness level.”

Tom Drury inspects horses as they go out for morning exercise at Skylight Training Center

Tom Drury inspects horses as they go out for morning exercise at Skylight Training Center

Brothers said of his time knowing Drury, “It started with Tommy galloping some horses for me at Churchill Downs. He’s a smart, conscientious young man—an excellent horseman.” 

So how did Drury amass just 55 victories in his first six years of training after getting his license at the age of 18? He had to gallop horses on the side to pay his bills. “It didn’t come easy, and it didn’t come quickly,” he said. “There were days I said, `This isn’t going the way it should be going.’ But I always had at least one horse I was training.”

There was another reason he persevered. “I didn’t know how to do anything else,” Drury said.

His biggest fan, his mother Patty, said, “He started with one horse, and to have a horse like this [Art Collector] is unbelievable. I’m so happy and proud of him because he worked so hard to get to this point.”

Drury’s father, Jerry, who galloped horses, passed away two years ago. “We were close,” Drury said. “I never had the privilege to work with him a lot because he had a lot of horses. He pushed me: if you work, you have to do it at the top level. He always pushed me to do that.”

Drury began hot-walking on weekends as a kid.

“I can remember walking horses when I was 10 or 11,” he said. “It’s all I wanted to do. On weekends, I’d go to the track. It’s just been in my blood. I could never see myself doing anything else.”

He wanted to be a jockey but grew too big to do that. So he focused on training. “I had a friend, a little older, who got his license at 19,” Drury said. “Once I saw he was able to do it, I felt comfortable in my horsemanship.” He passed the trainer test and applied for a license at the age of 18.

Racing steward Bernie Hettel didn’t believe he was 18. “I looked like I was 12,” Drury said. “I think I weighed 110 pounds. I showed him my driver’s license.”

In his first six years, his win totals were five, seven, nine, eighteen, eight and eight. “I was working a second job, always galloping to help pay the bills,” he said. “Eventually, it started going the way I wanted. So I stopped galloping a few years ago. When I was riding, I worried about too many details. I think better when my feet are on the ground rather than in the air.”

One of his most successful horses was Timeless Fashion, who won 11 of 34 starts, including six stakes, and earned more than $400,000. Unfortunately, Timeless Fashion’s first jockey, Justin Vitek, wound up with leukemia.

Vitek rode Timeless Fashion in his first two starts, finishing second by a neck in a maiden race at Turfway Park, December 7, 2007, then winning an allowance race there February 2, 2008, by 4 ¼ lengths.

20_0716_Tom Drury_mw-6214.jpg

“Justin had told me that whole day he was feeling bad,” Drury said. “He went to the hospital that night and was later diagnosed with leukemia. It went into remission and he worked for me and rode in races. Unfortunately, his leukemia came back, and he passed away. Justin was one of my closest friends. I flew to Texas and was with him the night before he passed. It was terrible.”

Vitek, a native of Wallace, Texas, died on January 28, 2010 at the age of 36. Vitek’s biggest victory came on Miss Pickums, who captured the 2000 Gr2 Golden Rod Stakes at Churchill Downs. He had won 763 races with earnings topping $9.8 million. 

Six weeks after Vitek died, Turfway Park held a night to celebrate Vitek’s life, with his mother to present the trophy to the winner of the Tejano Run Stakes. Drury, who entered Timeless Fashion in the stakes, wore one of Vitek’s University of Texas caps which Vitek’s sister had sent to him. “Justin was a big Texan football fan,” Drury explained. Drury wore the cap that night and never again.

Timeless Fashion hadn’t raced since the previous December 12th when he took the first of two consecutive runnings of the Prairie Bayou Stakes. Timeless Fashion won the Tejano Run Stakes by a half-length. “Justin’s mom presented the trophy to Judy Miller, the winning owner, and she gave it back to her,” Drury said. “Right before we went upstairs, we sprinkled some of Justin’s ashes in the winner’s circle. There wasn’t a dry eye in the house. It was insane. It was brutal, but we were fortunate to have had him in our lives. It was so special to win that race with his family there.”

Drury resumed his career, which may have already been redirected by his Blue Grass victory. “This is going to change Tommy’s life,” Lunsford said. If it does, he’ll share it with 15-year-old daughter Emma, who rides show horses, and his 19-year-old son Matt, who’s in the restaurant business. They live just outside Louisville. 

Art Collector, a home-bred colt by Bernardini out of Distorted Legacy by Distorted Humor, has special meaning for Lunsford—an attorney, businessman and politician who ran unsuccessfully for the U.S. Senate as a Democrat in 2008, losing to incumbent Mitch McConnell. 

Bruce Lundsford

Bruce Lundsford

Lunsford’s Bunting was the dam of his Vision and Verse, who finished second to Lemon Drop Kid in both the 1999 Gr1 Belmont Stakes and Gr1 Travers. Vision and Verse won four of 21 starts and earned a tad more than $1 million. “Bunting was one of the first two horses we bought,” he said. “She had several useful horses, including Distorted Legacy, who finished fourth in the 2011 Gr1 Breeders’ Cup Filly and Mare Turf. “We kept her as a broodmare. Her first foal was a filly that didn’t race. Art Collector is her second foal.”

Lunsford routinely sends 10 of his yearlings to be broken and trained at Travis and Ashley Durr’s Webb Carroll Training Center in St. Matthews,S.C. Durr does the breaking and training, and Ashley is the Center’s business manager.

Travis’ family raced and trained Quarter Horses, and Travis rode them at bush tracks in Georgia, S.C. and N.C., starting at the age of 12. When both his grandfather and father began working with Thoroughbreds, Travis started breaking and training them. Travis was 15 when his father passed in 1995, and he took over the business. Travis joined Webb Carroll in 2007, and in 2016, he and his wife purchased the Center.

“We are known for our large sets—15 to 17 horses in the winter,” Travis said. “All we do is breaking, training and layups. We don’t have to have things being done by a specific time. We have a lot of turnouts. We individualize the horse’s training. We just try to produce racehorses.”

Art Collector is just the latest top horse the Training Center has developed, following Havre De Grace, Country House, Abel Tasman, Firenze Fire, Goldencents, Runhappy, Irish War Cry and Shackleford.

Art Collector arrived at the Training Center in July 2018. “He showed ability from day one,” Travis said. “He stood out. He handled the breaking very well, always did his job—an easy horse to be around. He started breezing in February. He was breezing a lot easier than others. As we went on with the horse, he kept progressing the right way. He was the best of Bruce’s bunch. He sends us around 10 yearlings a year.”

On May 9, Art Collector was sent home and then to trainer Joe Sharp to begin his career at Saratoga in July. Art Collector’s first three starts were on turf. He finished second in a maiden race at Saratoga August 15, first in a maiden at Kentucky Downs and then seventh in the Gr3 Bourbon Stakes at Keeneland.

Switched to dirt on November 30, he lost his action in a 6 ½ furlong allowance race under Brian Hernandez Jr., who has ridden Art Collector ever since. Hernandez was about to pull Art Collector up, but Art Collector wasn’t done, getting back in the race and finishing sixth by 8 ½ lengths in the first of four consecutive races at Churchill Downs.

20_0716_Tommy Drury_ww-4435.jpg

Art Collector’s final start as a two-year-old last November 30 was a breakthrough 7 ½-length victory on a sloppy track.

That victory would be taken away months later. …

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A jockey's life: The true tall tales of gatebreakin' Ray Adair

By Peter J. Sacopulos

Like many baby boomers who entered their teens in the mid-1960s, Raymond Adair Jr. had an issue with his father. But it wasn’t a disagreement over long hair, rock music, or his choice of friends. The problem, in young Ray Adair’s eyes, was his father’s appalling ability to stretch the truth.

Ray Sr. claimed he began life as a foundling, left under a pinion tree by a band of Crow Indians before being adopted by a couple who ran a ranch in New Mexico. That was bad enough, but it was Ray Adair’s endless exaggerations about his horseracing career that really embarrassed his son.

In the elder Adair’s accounts, he won his first Thoroughbred race at age six. He lost a match race against the legendary Seabiscuit by a nose. He won the Bluegrass Stakes, finished second in the Preakness, and rode in the Kentucky Derby twice. He stood down gangsters and befriended greats like Eddie Arcaro. It was all too much.

“Growing up, I thought Dad was just a bullshitter. Or a horseshitter, anyway,” Ray Jr. says with a soft chuckle. “Imagine how I felt when I figured out all those horseracing stories were true.”

Throughout his childhood, Ray Jr. had been aware that his father was a jockey and horse trainer. His family, including his mother Evelyn and his older sister Rayette, had tagged along on the racing circuit for years. But Ray Sr.’s racing days and the Adair family’s nomadic ways came to an end in 1961. Evelyn had been diagnosed with cancer and could no longer travel. The family settled in Phoenix, and Ray Sr. hung up his silks and worked for a fruit distributor. Evelyn died in 1963, and Ray moved the family to Window Rock to work for his brother-in-law, who taught him how to operate construction equipment.

In Colorado for an unrelated job interview in 1964, Ray decided to call Thoroughbred breeder Conyer (“Connie”) Stewart. Connie Stewart had first seen Ray ride at the Jamaica Race Course in New York around 1950 (Ray Sr. sometimes said he first met Conyer Stewart in 1943. However, the Centennial Track did not open until 1950, making the late 1940s more likely). Deeply impressed, Stewart offered Adair a job as his jockey at the newly built Centennial Track near Littleton, Colorado. Adair and Stewart hit it off, but Ray, a top rider on the prestigious east coast circuit, passed on the offer. After he left the east coast in the mid-1950s, Ray did do some riding for Stewart at Centennial.

The day Ray called him, Connie Stewart answered the phone at his new Stewart Thoroughbred Farm. He immediately offered Ray the job of manager. Adair and his children came to live at the ranch, and Rayette and Ray Jr. attended school in Rye and helped out with the chores. Ray Jr. worked alongside his dad for four years, seeing firsthand how good his father was with horses. Ray Sr. seemed to have found the ideal life after racing—until he and Connie Stewart abruptly fell out.

Ray Adair after winning the Blue Grass Stakes at Keeneland on Mameluke

“I never really knew why,” Ray Jr. says, but he believes it was likely due to a quirk of his dad’s personality. Raymond Adair Sr. could be as sweet as soda pop or as stubborn as a mule. “The same thing had happened with my uncle in Window Rock. Dad was a little guy, only five feet three,” his oldest son recalls. “He was sensitive about it, and I think it made him quick to jump to the conclusion that someone was trying to push him around.”

Ray Sr. left and took a job maintaining roads for the county. Not wanting to change high schools, Ray Jr. stayed on. It was while working for Connie Stewart that Ray Jr. began to realize his father’s fantastic racing tales were true. Ray Jr. would bring one of them up as an example of his dad’s penchant for telling whoppers, only to have Stewart say, “Actually, your dad did do that.” It would take many years and some research to get the full picture, but eventually, Ray Jr. and his relatives would marvel at the true adventures of the jockey known as Gatebreakin’ Ray Adair.

Those adventures began in the summer of 1928, when a Texan named Louie Kirk arrived in the town of Blanco, New Mexico, and entered a Thoroughbred stallion named Static in a match race at the San Juan County Fair. Kirk stabled the horse at the track, and found an eager, if unlikely, caretaker in six-year-old Raymond Adair. Small for his age but full of energy, Ray was growing up on a nearby ranch and had a remarkable knack with horses. The boy not only loved them, he seemed to understand and communicate with them in that special way that only a few people can. Little Ray Adair earned a half-dollar a day feeding Static, cleaning his stall and riding the horse to the river for water.

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