Thomas Drury Jr. looking forward to the 2020 Preakness Stakes
/![Cover Profile - Thomas Drury Jr.By Bill HellerNudged into the Kentucky Derby spotlight by Art Collector’s commanding 3 ½-length victory in the Gr2 Blue Grass Stakes July 11 at Keeneland, Tommy Drury is an overnight sensation—30 years after he began training Thoroughbreds. Art Collector gave Drury his first graded stakes victory in the Blue Grass Stakes, earning enough points to start in the Kentucky Derby for owner/breeder Bruce Lunsford.“When you’re 28, you’re thinking about winning the Derby and Breeders’ Cup races,” said Drury, who took over Art Collector’s training at the beginning of his three-year-old season. “At 48, I didn’t even know I’d win a graded stakes. To win the Blue Grass is pretty special. I’m still trying to find the words.”This success immediately went to his head. He celebrated his greatest victory with a cold beer and a frozen pizza when he finally got home after the Blue Grass. “I didn’t finish either,” he confessed.Why? To be back at the barn at 5:30 a.m. the next day, a Sunday. His work ethic is just one of the elements of his highly successful, yet quiet, career. His career winning percentage is an outstanding 21 percent. He won at least 20 percent of his starts in 11 of his last 14 seasons heading into this year, including seven years when his victory clip was 25 percent or higher.No wonder top horsemen, including Al Stall, Bill Mott, Steve Asmussen, Frankie Brothers and Seth Hancock, have sent many of their horses needing a layup after surgery or time off to Drury’s barn at the Skylight Training Center, 27 miles northeast of Churchill Downs.“As far as top horsemen, he’s been a top one for years, but he just hasn’t had the opportunity to win at the highest level,” Stall said. “I send him rehab cases. We’ve had a good working relationship for more than 10 years. I might have sent him, oh gosh, over 20 a year—a couple hundred for sure. Ninety-nine percent of the time, he’s spot on about their fitness level.”Brothers said of his time knowing Drury, “It started with Tommy galloping some horses for me at Churchill Downs. He’s a smart, conscientious young man—an excellent horseman.”So how did Drury amass just 55 victories in his first six years of training after getting his license at the age of 18? He had to gallop horses on the side to pay his bills. “It didn’t come easy, and it didn’t come quickly,” he said. “There were days I said, `This isn’t going the way it should be going.’ But I always had at least one horse I was training.”There was another reason he persevered. “I didn’t know how to do anything else,” Drury said.His biggest fan, his mother Patty, said, “He started with one horse, and to have a horse like this [Art Collector] is unbelievable. I’m so happy and proud of him because he worked so hard to get to this point.”Drury’s father, Jerry, who galloped horses, passed away two years ago. “We were close,” Drury said. “I never had the privilege to work with him a lot because he had a lot of horses. He pushed me: if you work, you have to do it at the top level. He always pushed me to do that.”Drury began hot-walking on weekends as a kid. “I can remember walking horses when I was 10 or 11,” he said. “It’s all I wanted to do. On weekends, I’d go to the track. It’s just been in my blood. I could never see myself doing anything else.”He wanted to be a jockey but grew too big to do that. So he focused on training. “I had a friend, a little older, who got his license at 19,” Drury said. “Once I saw he was able to do it, I felt comfortable in my horsemanship.” He passed the trainer test and applied for a license at the age of 18.Racing steward Bernie Hettel didn’t believe he was 18. “I looked like I was 12,” Drury said. “I think I weighed 110 pounds. I showed him my driver’s license.”In his first six years, his win totals were five, seven, nine, eighteen, eight and eight. “I was working a second job, always galloping to help pay the bills,” he said. “Eventually, it started going the way I wanted. So I stopped galloping a few years ago. When I was riding, I worried about too many details. I think better when my feet are on the ground rather than in the air.”One of his most successful horses was Timeless Fashion, who won 11 of 34 starts, including six stakes, and earned more than $400,000. Unfortunately, Timeless Fashion’s first jockey, Justin Vitek, wound up with leukemia.Vitek rode Timeless Fashion in his first two starts, finishing second by a neck in a maiden race at Turfway Park, December 7, 2007, then winning an allowance race there February 2, 2008, by 4 ¼ lengths.“Justin had told me that whole day he was feeling bad,” Drury said. “He went to the hospital that night and was later diagnosed with leukemia. It went into remission and he worked for me and rode in races. Unfortunately, his leukemia came back, and he passed away. Justin was one of my closest friends. I flew to Texas and was with him the night before he passed. It was terrible.”Vitek, a native of Wallace, Texas, died on January 28, 2010 at the age of 36. Vitek’s biggest victory came on Miss Pickums, who captured the 2000 Gr2 Golden Rod Stakes at Churchill Downs. He had won 763 races with earnings topping $9.8 million.Six weeks after Vitek died, Turfway Park held a night to celebrate Vitek’s life, with his mother to present the trophy to the winner of the Tejano Run Stakes. Drury, who entered Timeless Fashion in the stakes, wore one of Vitek’s University of Texas caps which Vitek’s sister had sent to him. “Justin was a big Texan football fan,” Drury explained. Drury wore the cap that night and never again.Timeless Fashion hadn’t raced since the previous December 12th when he took the first of two consecutive runnings of the Prairie Bayou Stakes. Timeless Fashion won the Tejano Run Stakes by a half-length. “Justin’s mom presented the trophy to Judy Miller, the winning owner, and she gave it back to her,” Drury said. “Right before we went upstairs, we sprinkled some of Justin’s ashes in the winner’s circle. There wasn’t a dry eye in the house. It was insane. It was brutal, but we were fortunate to have had him in our lives. It was so special to win that race with his family there.”Drury resumed his career, which may have already been redirected by his Blue Grass victory. “This is going to change Tommy’s life,” Lunsford said. If it does, he’ll share it with 15-year-old daughter Emma, who rides show horses, and his 19-year-old son Matt, who’s in the restaurant business. They live just outside Louisville.Art Collector, a home-bred colt by Bernardini out of Distorted Legacy by Distorted Humor, has special meaning for Lunsford—an attorney, businessman and politician who ran unsuccessfully for the U.S. Senate as a Democrat in 2008, losing to incumbent Mitch McConnell.Lunsford’s Bunting was the dam of his Vision and Verse, who finished second to Lemon Drop Kid in both the 1999 Gr1 Belmont Stakes and Gr1 Travers. Vision and Verse won four of 21 starts and earned a tad more than $1 million. “Bunting was one of the first two horses we bought,” he said. “She had several useful horses, including Distorted Legacy, who finished fourth in the 2011 Gr1 Breeders’ Cup Filly and Mare Turf. “We kept her as a broodmare. Her first foal was a filly that didn’t race. Art Collector is her second foal.”Lunsford routinely sends 10 of his yearlings to be broken and trained at Travis and Ashley Durr’s Webb Carroll Training Center in St. Matthews,S.C. Durr does the breaking and training, and Ashley is the Center’s business manager.Travis’ family raced and trained Quarter Horses, and Travis rode them at bush tracks in Georgia, S.C. and N.C., starting at the age of 12. When both his grandfather and father began working with Thoroughbreds, Travis started breaking and training them. Travis was 15 when his father passed in 1995, and he took over the business. Travis joined Webb Carroll in 2007, and in 2016, he and his wife purchased the Center.“We are known for our large sets—15 to 17 horses in the winter,” Travis said. “All we do is breaking, training and layups. We don’t have to have things being done by a specific time. We have a lot of turnouts. We individualize the horse’s training. We just try to produce racehorses.”Art Collector is just the latest top horse the Training Center has developed, following Havre De Grace, Country House, Abel Tasman, Firenze Fire, Goldencents, Runhappy, Irish War Cry and Shackleford.Art Collector arrived at the Training Center in July 2018. “He showed ability from day one,” Travis said. “He stood out. He handled the breaking very well, always did his job—an easy horse to be around. He started breezing in February. He was breezing a lot easier than others. As we went on with the horse, he kept progressing the right way. He was the best of Bruce’s bunch. He sends us around 10 yearlings a year.”On May 9, Art Collector was sent home and then to trainer Joe Sharp to begin his career at Saratoga in July. Art Collector’s first three starts were on turf. He finished second in a maiden race at Saratoga August 15, first in a maiden at Kentucky Downs and then seventh in the Gr3 Bourbon Stakes at Keeneland.Switched to dirt on November 30, he lost his action in a 6 ½ furlong allowance race under Brian Hernandez Jr., who has ridden Art Collector ever since. Hernandez was about to pull Art Collector up, but Art Collector wasn’t done, getting back in the race and finishing sixth by 8 ½ lengths in the first of four consecutive races at Churchill Downs.Art Collector’s final start as a two-year-old last November 30 was a breakthrough 7 ½-length victory on a sloppy track.That victory would be taken away months later. On March 3, word broke that Art Collector was one of several sharp horses who tested positive for levamisole, listed as a Class 2 drug by the Association of Racing Commissioners International largely for its potential to metabolize into the powerful stimulant aminorex. Art Collector was disqualified.Lunsford needed a new trainer. “I didn’t want to be in the middle of that,” he said. “I took him off the track. Gave him three months. I said, `Forget the Derby. We’ll shoot for something later, like the Travers.’”Then the world began changing as the coronavirus pandemic swept around the entire globe. Suddenly, the Kentucky Derby was not on the first Saturday of May, rather postponed until the first Saturday in September, the 5th. “The delay was the best thing that could have happened for us,” Lunsford said. “I gave him to Tommy. I told him, `If you get this horse back and he wins first out, you have the horse for life.’”Why Drury? “Because I trust him,” Lunsford said. “I’ve watched him for years. I’ve given him horses that we rested and given them one start back in Tommy’s name. Watching him grow up, I think of Tommy like a nephew or an adopted son. We’ve had a lot of success. He’s a humble guy. He has no ego. Works his butt off. He treats people nicely; his barn help stays with him. He treats horses nicely. If it’s really about the horse, you just don’t say it—you do it. I knew with Tommy and Jose (Garcia, Tommy’s long-time assistant), that Art Collector would be treated better than I get treated in my life, with the exception of my girlfriend. If we win the Derby, I don’t know if I’ll be happier for Tommy or for the horse.”With Art Collector at Skylight Training Center, Lunsford stops on the way to check up on his star. Trainer Ian Wilkes is on the other side of the Drury barn. “There are 21 guys there, and I pick up biscuits for the guys on the way there,” Lunsford said. “They rub their stomachs when they see me coming.”Drury didn’t take long to like what he saw coming with Art Collector. “I knew Bruce really liked the horse,” he said. “When someone like him says something like that, you pay attention. He’s been there before.”Drury quickly realized why Lunsford liked Art Collector. “I have never had a horse like this,” Drury said. “He’s a very good-looking, well-balanced horse. What I like most is his intelligence. He’s a very smart horse. You work him with others, and he’s fine. You can move him with your fingertips.”Drury began slowly with his new colt. “We eased him back into it,” he said. “We started breezing him. I got Brian Hernandez to work with him. He had ridden him as a two-year-old. He shared his thoughts. It helped. We worked as a team.”Garcia has been an important member of the Drury’s team for 22 years. “We started together with a small stable with just a few horses,” Garcia said. “I like him and he likes me. We have good communications. You have to see to the details. The small details are very important.”Art Collector made his first start for Drury in a seven-length allowance race on May 17, 15 days after the original date for the Kentucky Derby. He won by 2 ¾ lengths, covering seven furlongs in 1:22 3/5.“He won so impressively,” Lunsford said. “Seth Hancock texted me. He said, `I hope you’re going to leave your horse with him.’ I said, `That decision’s already been made.’”That decision looked even better when Art Collector won another allowance race—this one at a mile-and-a-sixteenth, by 6 ½ lengths as the 7-5 favorite in a sharp 1:41 1/5, earning a 100 Beyer Speed Figure on June 13.Art Collector was ready to step up. He would make or break his case for the Kentucky Derby. He had no Derby qualifying points, and the 100 for the winner of the Blue Grass would either propel Art Collector onto the Derby or force Drury and Lunsford to choose an easier path.The horse to beat in the Blue Grass and the slight betting favorite at 2-1 was Kenny McPeek’s outstanding filly Swiss Skydiver. Art Collector was the 2-1 second choice in the field of 13. “We wanted to put pressure on Kenny’s filly,” Drury said. “The only thing I told Brian was not to be locked in with one trip. It actually went the way we thought it would go.”Hernandez delivered a flawless ride. He made a good decision early to avoid a three-horse duel on the front end, and Art Collector settled in nicely as a close third. Around the far turn, Swiss Skydiver took over, and Art Collector quickly ranged up to her.At the head of the stretch, Swiss Skydiver found more. “There was a split second near the eighth pole, she dug in, and I thought he wasn’t going to win,” Drury said. “After that point, it becomes a blur. `Oh, my God, we’re going to win the Blue Grass!’ It’s hard to describe it in words. You wait for the opportunity, and when it happens, it’s huge. You’ve waited so long to be there.”After the race, Drury cooled out Art Collector. “We gave him a good soaking bath, took him out to the grass, let him graze, put the bandages on him, and got ready to go back home,” Drury said. When he got home, he splurged with cold beer and even colder pizza.Drury knows that Churchill Downs’ decision to push back the Kentucky Derby four months allowed his late-developing three-year-old to walk into the starting gate. “We’re certainly aware of it,” Drury said. “It’s been a strange year. It’s almost like it was meant for us.”Before the Blue Grass, Drury instructed his mother not to use the “D” word. Two days after the race, she texted him, asking, “Are you definite for the Kentucky Derby?” Drury texted back, “Eight weeks to the Derby—that’s a lifetime.” He explained, “Eight weeks is a long way away when you’re talking about horses. I hope we get there. It’s a big deal, but we’re not doing anything to jeopardize this horse.”Drury and Lunsford must decide whether or not to give Art Collector a race before the Derby. “It’s really a good problem to have,” Drury said. “I think it’s a fantastic problem to have.”Initially, he ruled out the Gr1 Travers at Saratoga, August 8. “People ask, `Travers?’ No way. I’m not shipping to New York to run against Tiz the Law,” Drury said. If Art Collector gets a Derby prep, it will likely come in the Ellis Park Derby August 9.Lunsford was asked what a Kentucky Derby win would mean to him. “I go all the way back to Secretariat,” he said. “I said, `One of these days, I want to own one of these horses.’ If I won the Kentucky Derby with 40 friends rooting for us because we’re from Louisville, it’d be like the World Series for this poor kid from Piner, Kentucky.”For Drury, it would be an affirmation of three decades of hard work. Asked what it’s like to be an overnight success after 30 years, Drury said, “It’s funny. For me, I’ve never received this amount of attention. I’m usually the guy behind the scenes. That being said, I’ve been close enough to good horses, and that’s helped me a lot. At the end of the day, we have to focus on the horse. You take the rest of it in stride. It’s not about me. It’s about him.”Actually, it’s about both of them—teammates in the pursuit of Kentucky Derby immortality in the strangest year the world has ever seen. ](https://images.squarespace-cdn.com/content/v1/517636f8e4b0cb4f8c8697ba/1596792110442-ZKLXNEUI8IGB2263R98Y/20_0716_Tom+Drury_mw-6159.jpg)
By Bill Heller
Nudged into the Kentucky Derby spotlight by Art Collector’s commanding 3 ½-length victory in the Gr2 Blue Grass Stakes July 11 at Keeneland, Tommy Drury is an overnight sensation—30 years after he began training Thoroughbreds. Art Collector gave Drury his first graded stakes victory in the Blue Grass Stakes, earning enough points to start in the Kentucky Derby for owner/breeder Bruce Lunsford.
On September 1 Churchill Downs reported that Art Collector, the son of Bernardini, nicked the bulb of his left front heel with a hind hoof while galloping Monday. Because of horse racing strict medication rules, the horse could not be treated with an anti-inflammatory this close to the race.
“He grabbed himself yesterday morning training,” trainer Tommy Drury said. “It was still very sensitive this morning. When I took my thumbs to palpate the bulbs of his heels, you could still tell it was pinching him. I had to make a choice. Your horse has to always come first. To run in a race of this caliber and trying to compete against the best 3-year-olds in this country, you’ve got to be 110 percent.”
Art Collector was widely considered the biggest threat to Belmont (GI) and Travers Stakes (GI) winner Tiz the Law heading into Saturday’s 1 ¼-miles classic, coming into the race off a 3 ¼-length victory in the Ellis Park Derby on Aug. 9.
“We didn’t want to take any chances with a horse potentially this good,” Lunsford said. “The Derby means an awful lot to me so it’s been kind of a tough day and night. But the horse is always the most important thing in all these things. We’ll get another chance to have another day. We’ll try and make it to the Preakness and maybe from there, the Breeders’ Cup.”
“When you’re 28, you’re thinking about winning the Derby and Breeders’ Cup races,” said Drury, who took over Art Collector’s training at the beginning of his three-year-old season. “At 48, I didn’t even know I’d win a graded stakes. To win the Blue Grass is pretty special. I’m still trying to find the words.”
This success immediately went to his head. He celebrated his greatest victory with a cold beer and a frozen pizza when he finally got home after the Blue Grass. “I didn’t finish either,” he confessed.
Why? To be back at the barn at 5:30 a.m. the next day, a Sunday. His work ethic is just one of the elements of his highly successful, yet quiet, career. His career winning percentage is an outstanding 21 percent. He won at least 20 percent of his starts in 11 of his last 14 seasons heading into this year, including seven years when his victory clip was 25 percent or higher.
No wonder top horsemen, including Al Stall, Bill Mott, Steve Asmussen, Frankie Brothers and Seth Hancock, have sent many of their horses needing a layup after surgery or time off to Drury’s barn at the Skylight Training Center, 27 miles northeast of Churchill Downs.
Tom Drury's horses on track for morning exercise at Skylight Training Center
“As far as top horsemen, he’s been a top one for years, but he just hasn’t had the opportunity to win at the highest level,” Stall said. “I send him rehab cases. We’ve had a good working relationship for more than 10 years. I might have sent him, oh gosh, over 20 a year—a couple hundred for sure. Ninety-nine percent of the time, he’s spot on about their fitness level.”
Tom Drury inspects horses as they go out for morning exercise at Skylight Training Center
Brothers said of his time knowing Drury, “It started with Tommy galloping some horses for me at Churchill Downs. He’s a smart, conscientious young man—an excellent horseman.”
So how did Drury amass just 55 victories in his first six years of training after getting his license at the age of 18? He had to gallop horses on the side to pay his bills. “It didn’t come easy, and it didn’t come quickly,” he said. “There were days I said, `This isn’t going the way it should be going.’ But I always had at least one horse I was training.”
There was another reason he persevered. “I didn’t know how to do anything else,” Drury said.
His biggest fan, his mother Patty, said, “He started with one horse, and to have a horse like this [Art Collector] is unbelievable. I’m so happy and proud of him because he worked so hard to get to this point.”
Drury’s father, Jerry, who galloped horses, passed away two years ago. “We were close,” Drury said. “I never had the privilege to work with him a lot because he had a lot of horses. He pushed me: if you work, you have to do it at the top level. He always pushed me to do that.”
Drury began hot-walking on weekends as a kid.
“I can remember walking horses when I was 10 or 11,” he said. “It’s all I wanted to do. On weekends, I’d go to the track. It’s just been in my blood. I could never see myself doing anything else.”
He wanted to be a jockey but grew too big to do that. So he focused on training. “I had a friend, a little older, who got his license at 19,” Drury said. “Once I saw he was able to do it, I felt comfortable in my horsemanship.” He passed the trainer test and applied for a license at the age of 18.
Racing steward Bernie Hettel didn’t believe he was 18. “I looked like I was 12,” Drury said. “I think I weighed 110 pounds. I showed him my driver’s license.”
In his first six years, his win totals were five, seven, nine, eighteen, eight and eight. “I was working a second job, always galloping to help pay the bills,” he said. “Eventually, it started going the way I wanted. So I stopped galloping a few years ago. When I was riding, I worried about too many details. I think better when my feet are on the ground rather than in the air.”
One of his most successful horses was Timeless Fashion, who won 11 of 34 starts, including six stakes, and earned more than $400,000. Unfortunately, Timeless Fashion’s first jockey, Justin Vitek, wound up with leukemia.
Vitek rode Timeless Fashion in his first two starts, finishing second by a neck in a maiden race at Turfway Park, December 7, 2007, then winning an allowance race there February 2, 2008, by 4 ¼ lengths.
“Justin had told me that whole day he was feeling bad,” Drury said. “He went to the hospital that night and was later diagnosed with leukemia. It went into remission and he worked for me and rode in races. Unfortunately, his leukemia came back, and he passed away. Justin was one of my closest friends. I flew to Texas and was with him the night before he passed. It was terrible.”
Vitek, a native of Wallace, Texas, died on January 28, 2010 at the age of 36. Vitek’s biggest victory came on Miss Pickums, who captured the 2000 Gr2 Golden Rod Stakes at Churchill Downs. He had won 763 races with earnings topping $9.8 million.
Six weeks after Vitek died, Turfway Park held a night to celebrate Vitek’s life, with his mother to present the trophy to the winner of the Tejano Run Stakes. Drury, who entered Timeless Fashion in the stakes, wore one of Vitek’s University of Texas caps which Vitek’s sister had sent to him. “Justin was a big Texan football fan,” Drury explained. Drury wore the cap that night and never again.
Timeless Fashion hadn’t raced since the previous December 12th when he took the first of two consecutive runnings of the Prairie Bayou Stakes. Timeless Fashion won the Tejano Run Stakes by a half-length. “Justin’s mom presented the trophy to Judy Miller, the winning owner, and she gave it back to her,” Drury said. “Right before we went upstairs, we sprinkled some of Justin’s ashes in the winner’s circle. There wasn’t a dry eye in the house. It was insane. It was brutal, but we were fortunate to have had him in our lives. It was so special to win that race with his family there.”
Drury resumed his career, which may have already been redirected by his Blue Grass victory. “This is going to change Tommy’s life,” Lunsford said. If it does, he’ll share it with 15-year-old daughter Emma, who rides show horses, and his 19-year-old son Matt, who’s in the restaurant business. They live just outside Louisville.
Art Collector, a home-bred colt by Bernardini out of Distorted Legacy by Distorted Humor, has special meaning for Lunsford—an attorney, businessman and politician who ran unsuccessfully for the U.S. Senate as a Democrat in 2008, losing to incumbent Mitch McConnell.
Bruce Lundsford
Lunsford’s Bunting was the dam of his Vision and Verse, who finished second to Lemon Drop Kid in both the 1999 Gr1 Belmont Stakes and Gr1 Travers. Vision and Verse won four of 21 starts and earned a tad more than $1 million. “Bunting was one of the first two horses we bought,” he said. “She had several useful horses, including Distorted Legacy, who finished fourth in the 2011 Gr1 Breeders’ Cup Filly and Mare Turf. “We kept her as a broodmare. Her first foal was a filly that didn’t race. Art Collector is her second foal.”
Lunsford routinely sends 10 of his yearlings to be broken and trained at Travis and Ashley Durr’s Webb Carroll Training Center in St. Matthews,S.C. Durr does the breaking and training, and Ashley is the Center’s business manager.
Travis’ family raced and trained Quarter Horses, and Travis rode them at bush tracks in Georgia, S.C. and N.C., starting at the age of 12. When both his grandfather and father began working with Thoroughbreds, Travis started breaking and training them. Travis was 15 when his father passed in 1995, and he took over the business. Travis joined Webb Carroll in 2007, and in 2016, he and his wife purchased the Center.
“We are known for our large sets—15 to 17 horses in the winter,” Travis said. “All we do is breaking, training and layups. We don’t have to have things being done by a specific time. We have a lot of turnouts. We individualize the horse’s training. We just try to produce racehorses.”
Art Collector is just the latest top horse the Training Center has developed, following Havre De Grace, Country House, Abel Tasman, Firenze Fire, Goldencents, Runhappy, Irish War Cry and Shackleford.
Art Collector arrived at the Training Center in July 2018. “He showed ability from day one,” Travis said. “He stood out. He handled the breaking very well, always did his job—an easy horse to be around. He started breezing in February. He was breezing a lot easier than others. As we went on with the horse, he kept progressing the right way. He was the best of Bruce’s bunch. He sends us around 10 yearlings a year.”
On May 9, Art Collector was sent home and then to trainer Joe Sharp to begin his career at Saratoga in July. Art Collector’s first three starts were on turf. He finished second in a maiden race at Saratoga August 15, first in a maiden at Kentucky Downs and then seventh in the Gr3 Bourbon Stakes at Keeneland.
Switched to dirt on November 30, he lost his action in a 6 ½ furlong allowance race under Brian Hernandez Jr., who has ridden Art Collector ever since. Hernandez was about to pull Art Collector up, but Art Collector wasn’t done, getting back in the race and finishing sixth by 8 ½ lengths in the first of four consecutive races at Churchill Downs.
Art Collector’s final start as a two-year-old last November 30 was a breakthrough 7 ½-length victory on a sloppy track.
That victory would be taken away months later. …
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